Over the bottom half of the clip it becomes a Grab tool. It’s simplicity itself to use: position it over the top half of a clip and it acts as a Selector tool. The bar across the top of the ‘big three’ edit tools - Trim, Selector and Grab - rolls them all into one super‑useful tool which will meet your needs 90 percent of the time. The Smart Tool is a hugely powerful invention, and I certainly consider it one of Pro Tools’ crown jewels. However, once the initial confusion over questions such as “Where are the scissors?” (there aren’t any) and “Where is the sample editor?” (again, there isn’t one) has subsided, many users quickly settle into editing using the Smart Tool and stay there. Lots of DAW mixers are very analogue in feel, notably Reason’s SSL‑style console, and given the lack of proper 4K support for PC users using Pro Tools, the monitor issue today is that, for many users, screens are too big not too small! One area which it took me longer to appreciate, however, is the power of editing in Pro Tools.Įditing in Pro Tools is a massive subject, of course, too big to cover here in its entirety. Those points don’t count for much in 2022. Another was the fact that you could drive Pro Tools from just two windows - a big bonus at a time when typical monitors were CRT and maybe 800 x 600 pixels. For someone used to an analogue console, the Pro Tools mixer felt very familiar: a lot more so than the Cubase or Logic mixers of the time. When I started using Pro Tools in the late ’90s there were a couple of features I was drawn to. The Smart Tool might be smarter than you knew! The Grab tool comes in three variants: the Object Grabber, the Time Grabber and the Separation Grabber.
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